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WMN Role Models: Louise Glück
Strip Generation
The winner of the Nobel Prize for Literature is a poet who captures universal themes of loneliness and family, with the apparent simplicity of her verses
I did not expect to survive, earth suppressing me. I didn’t expect to waken again, to feel in the damp earth my body able to respond again, remembering after so long how to open again in the cold light of earliest spring -
afraid, yes, but among you again crying yes risk joy
Un post condiviso da Nobel Prize (@nobelprize_org) in data:
These are definitely hectic days for the world of culture, but strange at the same time. In a Stockholm emptier than usual, due to the pandemic, Nobel Prizes are being given. In the Literature category triumphed by surprisethe poetess Louise Glück (the sixteenth woman to win this prize), with this motivation: “for her unmistakable poetic voice that with austere beauty makes individual existence universal”. And reading the words from the poem Snowdrops that I wrote at the beginning, we are struck by this austere beauty, by an apparently simple image, taken from the world of nature, but at the same time it speaks of a sense of unexpected collective rebirth, a message of hope that seems to be created especially for this period, where we need lighter words, desperate but full of life.
Un post condiviso da Nobel Prize (@nobelprize_org) in data:
Louise Glück was born in New York in 1943 in a Jewish family of Hungarian origin and grew up on Long Island. Two events mark her adolescence: the death of her sister, which occurred before she was born, and anorexia, a disease from which she begins to suffer during her adoscence, described as a distorted manifestation of a desire for control and that lead her to drop out of school and undergo psychoanalysis sessions for seven years. Always encouraged to write by her parents, lovers of art and literature, she studied at Sarah Lawrence College and Columbia University. Today she teaches English Literature at Yale University. During her poetic career she published 12 collections of poemsand various critical essays; among the most important prizes she won we mention the prestigious Pulitzer for the collection The Wild Iris in 1993, the title of PoetLaureate in 2013, the National Book Award in 2014.
Louise Glück's poetry is like a garden. A garden where nature marks the life of humanity, where the cycles of birth and death are inevitable, but must be faced and lived despite everything, with the help of the power of art. There is a sense of darkness and an almost dreamy sadness, a kind of “fallen world”, yet there is almost a sense of lightness: issues such as loneliness, family relationships, divorce, existential despair, are told in a pure, almost colloquial language, easily accessible, but that at the same time contains a sense of mystery, of solemnity that make the poems intense, almost prophetic, they seem to “come directly from the center of the self”, as critic Wendy Lesser notes. A style that seems to fit her into a line of introspective authors such as Emily Dickinson and Sylvia Plath.
A passionate connoisseur of classical mythology, she takes up myths and legends and reinterprets them in the contemporary key of a modern woman: the conflictual relationship between mother and daughter is central, divided in a difficult balance between the search for her own identity and the roots of the past, exemplified by the poems on the figure of Persephone, in the Averno collection.